Antigone Kreon as a Tragic Hero Essay Example For Students

Antigone Kreon as a Tragic Hero Essay Kreon as a Tragic Hero In Antigone, both Antigone and Kreon could be considered the tragic hero of the play. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as tragic flaw or error or weakness. Kreons hamartia, like in many plays, is hybris Greek for overweening pride, arrogance, or excessive confidence. Kreons hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw. The belief that Antigone is the hero is a strong one, but there is a stronger belief that Kreon, the Ruler of Thebes, is the true protagonist. Kreons main and foremost hamartia was his hybris, or his extreme pride. Kreon was a new king, and he would never let anyone prove him wrong or let anyone change his mind once it was made. One main event that showed Kreons hamartia and also caused the catastrophe was when he asked his son Haimon, who was engaged to marry Antigone, if he still loves his father. Haimon says he respects Kreons ruling, but he feels, in this case, that Kreon was wrong. Haimon asks his father to take his advice and not have Antigone executed, but, because of Kreons hybris, Kreon gets furious and makes the situation worse then it already was. He was way too proud to take advice from someone younger, and in his anger he decided to kill Antigone right away in front of Haimons eyes. Just understand: You dont insult me and go off laughing. Bring her here! Let him see her. Kill her here, beside her bridegroom (Sophocles 919-921). This was too much for Haimon to take, and he runs out of the room, yelling, her death will destroy others (Sophocles 908). Blinded by his pride and arrogance, Kreon takes that remark as a threat to himself, unknowing that it wasnt directed to himself, but was a suicide threat by his own son. Another example of Kreons tragic pride is when the prophet, Teiresias, travels all the way to Thebes to tell Kreon very important news, but Kreon pride makes him ignore it and he accuses Teiresias of being bribed. Teiresias tells Kreon that the gods are angered by Kreons disregard for their laws, and that Kreon should release Antigone and bury Polyneices. After Teiresias tells Kreon that he, the King of Thebes, has made a wrong decision, Kreons tragic pride is shown again. Teiresias: Doesnt anyone know, wont anyone consider.. Kreon: Consider what? What universal truths are you going to proclaim? Teiresias: how much more valuable than money good advice is? Kreon: Or how much worse losing your judgement is? (Sophocles 1210-1214) Teiresias, a blind prophet from Delphi whom has never been proven wrong, tells Kreon, All mankind is subject to error. Once a mistake is made it is wise of him to make amends and not be unbending. Stubbornness is stupidity (Sophocles 1180-1184), but Kreon remains stubborn. Teiresias: And tyrants love to have their own way regardless of right and wrong. Kreon: Do you know who youre talking to? Were your rulers (Sophocles 1225-1228). Like all tragic heroes, Kreon must suffer because of his hamartia. After his anagnorisis, Greek for recognition, he realizes that he was filled with too much pride and that the prophets prediction must be true. Kreon attempts to set things right, but unfortunately, does not in time. In a very ironic peripereia, Greek for reversal, his son commits suicide, as does his wife. This is all because of Kreons tragic flaw: Pride. Kreon realizes this, and suffers, like all tragic heroes. Suffering is one of the main parts a tragic hero: realizing his or her tragic flaw when its too late and suffering because of it. .ufbd78eb11b335e4c7f7694a06bb9cba6 , .ufbd78eb11b335e4c7f7694a06bb9cba6 .postImageUrl , .ufbd78eb11b335e4c7f7694a06bb9cba6 .centered-text-area { min-height: 80px; position: relative; } .ufbd78eb11b335e4c7f7694a06bb9cba6 , .ufbd78eb11b335e4c7f7694a06bb9cba6:hover , .ufbd78eb11b335e4c7f7694a06bb9cba6:visited , .ufbd78eb11b335e4c7f7694a06bb9cba6:active { border:0!important; } .ufbd78eb11b335e4c7f7694a06bb9cba6 .clearfix:after { content: ""; display: table; clear: both; } .ufbd78eb11b335e4c7f7694a06bb9cba6 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ufbd78eb11b335e4c7f7694a06bb9cba6:active , .ufbd78eb11b335e4c7f7694a06bb9cba6:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ufbd78eb11b335e4c7f7694a06bb9cba6 .centered-text-area { width: 100%; position: relative ; } .ufbd78eb11b335e4c7f7694a06bb9cba6 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ufbd78eb11b335e4c7f7694a06bb9cba6 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ufbd78eb11b335e4c7f7694a06bb9cba6 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ufbd78eb11b335e4c7f7694a06bb9cba6:hover .ctaButton { background-color: #34495E!important; } .ufbd78eb11b335e4c7f7694a06bb9cba6 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ufbd78eb11b335e4c7f7694a06bb9cba6 .ufbd78eb11b335e4c7f7694a06bb9cba6-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ufbd78eb11b335e4c7f7694a06bb9cba6:after { content: ""; display: block; clear: both; } READ: Younge goodman brown Essay Kreons realization of his flaw is very obviously shown when he says I was wrong, not you (Sophocles 1464), and I have learned, I am ruined. It was a god. Then, right then! Hit me, held me, heaped heavy on my head (Sophocles 1468-1469). His suffering is also .